“Mom, are you are a princess or a queen?”
“I’ll be the Queen. What is dad then?”
“He can be the Prince until you retire. Then he can be King.”
“And I am your Royal Wizard,” replies my enrobed seven-year-old.
He pulls out a satchel.
“I have here my wizarding goods. An extra wizard robe and hat. Two magic bandages. A pack of magic pills. Super magnifier. Enchanted sponge. Dark magic. Coconut oil. Mint oil. Wizard crystal. A flaming mirror. A bonker. An oil I made – you should smell it. Petrified wood. Enchanted petrified stone. A cork. Fire in a bottle. And last but not least, flexipotion. If I attach this to the medicine and my ears, it will warm me up.”
His collection is adapted from my childhood Fisher Price doctor kit. He appears to equate wizardry with healing. I inquire further, “what are your plans for our kingdom, Royal Wizard?”
“I am thinking I could help those homeless refugees. Fresh food, fresh water, fire in a bottle and some other potions. A house in a box. You need magic. Unfold it. Tap it with a wand, say “pigtail” and out pops the house.”
What would the Queen do without her Royal Wizard?
It is zero degrees outside today with a -20 degree “real feel.” We are discomforted only by the cancelation of plans to ski. We do not anticipate homelessness, ever, for ourselves or our offspring. We have no need of wizard’s work. But this wizard has big plans.
Across the globe, other families do need his help. They are homeless and growing colder everyday. Or they are in refugee camps. Some are housed among inhospitable neighbors and cannot find work. Others have faired better and are creating new lives. But they are not home. It is unlikely they will ever go home. According to World Vision, “the crisis in Syria affects more than 12 million people,” well beyond the scope of a seven-year old Royal Wizard.
Yet he doesn’t turn his back. He’s thinking, “what could I do?”
O that men like this gentle helper, who saved a wounded man and treated as his neighbour an unknown stranger, may be found all over the world.
Disease is spreading, war is stalking, famine reigns far and wide.
But when one mortal relieves another like this, charity springing from pain unites them.
This prose, translated from Latin to English, is lifted from Benjamin Britten’s Cantata Misericordium and tells the story of the Good Samaritan. In September, I listened over the shoulder of my choir director as he played the haunting chords and read to me from this score. Our choir, MacPhail Center for Music’s adult ensemble, Sonomento, had just begun rehearsing this piece for our January 31st concert. It was the week stories of children drowning and boats capsizing and families walking hundreds of miles began to break our hearts. Through wet eyes, I said, “This is about Syria.” He agreed. “You know who our neighbor is…” He looked up, uncertain where I was headed. “The American Red Cross. We can’t sing this without singing for them.” Surprised, Craig revealed, “Britten actually composed this Cantata for the 100th anniversary of the International Red Cross in 1963.”
In that moment, the opportunity to do something on the behalf of the refugees presented itself to us. MacPhail sits a few short blocks from the American Red Cross in Minneapolis. The International Red Cross has been tirelessly involved in refugee relief efforts across Europe, the Middle East and the United States. Our January concert became a collaboration between MacPhail and the International Red Cross.
Music is not a house in a box, but it has magical healing properties, bringing people together and expressing what we fall short of in words.
Misericordia translates, “mercy.” The Cantata concludes,
Who your neighbour is, now you know.
Go and do likewise.
And on Sunday, January 31st at 7pm in Minneapolis, come hear us sing for our neighbors near and far.